Rug, Wall Hanging, S, Wool, Aboriginal Design, Chainstitch, Australia, Many Trees, Mitjili Napurrula, Ikuntji Artists, Living store Room, Home

These beautiful woollen embroideries work equally well as floor rugs and wall hangings.
This elegant and simple design is a classic rendition of Mitjili Napurrula's beautiful 'Many Trees' ancestral creation story.
Chain-stitched kilims are a traditional rug making technique from Kashmir. As people sat on the floor they were both homewares and decoration.
The designs are by Australian Aboriginal artists, they store are then chain-stitched in wool onto a canvas backing each cushion cover is an interpretation of an original artwork, usually a painting.
Front of each rug is wool embroidered onto a cotton canvas and back is cotton canvas with a non-slip surface.
Each rug has a flap on one of the shorter sides for hanging portrait style, simply slide a piece of dowel or curtain rod in and hang. As the artworks are painting on the ground most of the images do not have a set orientation so can also be hung landscape if preferred. .
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These are surprisingly hard-wearing and I use them as both rugs and as and beautifully textured affordable works of art.
Limited Edition: Each rug is individually numbered and shipped with an individual document of Authenticity that gives provenance. No more than 100 rugs will ever be made in this design and size.
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Artist: Mitjili Napurrula, Ikuntji Artists, Haasts Bluff, NT
Title: Watiya Tjuta (Many Trees)
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SIZE:
Rectangular: 61 cm (24 inches) x 91.5 cm (36 inches)
Composition: wool (front) and cotton (back)
Color: the blue is slightly brighter (and nicer) than it appears in the photo
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CARE INSTRUCTIONS:
Do not put place/use in direct sunlight or colors may fade. To clean - careful hand-wash in warm water using a wool detergent. Can be ironed on a wool setting.
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About the design: Watiya Tjuta (Many Trees)
In this design Mitjili Napurrula depicts her fathers Tjukurrpa, the ceremonial spear straightening in Uwalkari country (Gibson desert region). The Watiya Tjuta (Acacia Trees) are the trees that are used to make these spears. Uwalkari country is abundant with Watiya Tjuta, as well as sand hills and other plants. Mitjili paints the motif of the Watiya Tjuta, carrying on the recurring motif as her mother used to draw in the sand. Her mother passed on this Dreaming to her.
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About the BWA chainstitchh kilim products
These beautiful, unique textiles are a cross-cultural collaboration combining Aboriginal designs and traditional Kashmiri rug-making techniques. Chain stitched, using hand dyed wool, each is a completely handmade piece. A more empowering way to work, this brings many direct benefits to the artists' and their community. Control and ownership of intellectual property are also maintained. Purchase of these products guarantees a direct return to the Aboriginal artist and their community.
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About my connection wtih Better World Arts
I met founder of BWA in 2004 whilst doing a consultancy in the APY Lands preparing marketing plans for five art centres for Ananguku Arts. I was gobsmacked by this terrific fair trade project that Kaltjiti Arts was then doing with Caroline Wilson. As a textile nut, the artisan skills and use of wool appealed to me and the rendering of Indigenous designs in rugs and cushion covers is so lovely. I later encouraged them to work with other art centres and introduced them to Warlukurlangu Artists and Injalak Arts. Flick (founder of Flying Fox Fabrics)
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BWA
Better World Arts has been operating for over two decades. Our role models were Oxfam, Fred Hollows (the Fred Hollows Foundation) and Anita Roddick (The Body Shop).
We work with traditional artisans from remote regions in Kashmir, Peru, West Bengal, Uttar Pradesh and Nepal (Tibetan refugees). More recently we have started working with China, making bone china and silk ties.
We work with Australian Aboriginal artists from remote communities across Australia, from Arnhem Land to Central and the Western Desert regions, from rural locations and from cities.